Jambinai and Mono: Post-Rock blasts into Platform 61

It’s dark, grungy, soaring post-rock fun! Korea’s Jambinai and Japan’s Mono will be teaming up for a big show on Jan. 21 at Platform 61, the new creative venue that recently opening in Chang-dong, Dobong-gu.

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Both groups have enjoyed very strong reviews and ratings for their most recent releases from a whole bunch of music websites, like Allmusic (Jambinai and Mono). So having these two hot groups together on one bill should be a lot of fun.

Ssako, Jambinai’s manager, wrote to the KGG to say that he was concerned the online ticketing could be tricky for non-Korean speakers hoping to check out the show, so he is suggesting an alternative.

Just email hivcore@daum.net, and leave your name and the number of tickets you want. Then on the day of the show, you can pick up your tickets at the Platform 61 box office for the same price as the advanced sales, just 66,000 won (at the door, they will be 77,000 won). You can pay by cash or credit card.

Platform 61 is located close to Changdong Station, on subway line No. 4, in northeast Seoul.

To get a sense of the noisy glory that is Mono, here is the music video for their “Requiem for Hell”:

And Jambinai’s “They Keep the Silence”:

I Wear* Experiment Return to Korea this Weekend

I Wear* Experiment are bringing their dance beat-fueled electro pop back to South Korea this weekend. Having played Zandari Festa 2016, the Estonian trio are performing sets of their self-described “sex, darkness and synths”-driven sound in Seoul on Friday and in Busan on Saturday.

I Wear* Experiment have made quite a name for themselves in recent years, performing across Europe with a number of major acts, getting picked up for a film soundtrack, and making it into the top 10 of Eesti Laul, Estonia’s national song contest for Eurovision. Their show packs cinematic soundscapes into a visual experience that you won’t want to miss. Korea Gig Guide got to interview the band ahead of their Korean shows.

How does one wear an experiment?

It means standing by your beliefs and truths without compromise which is an experiment in itself because it always leads to new and exciting experiences. We feel that in a lot of areas and especially in music it is becoming more and more rare for artists having the courage to wear and express their true colors without succumbing to the pressure of being likeable.

Tell us about releasing your first full-length album Patience last year and how your sound has developed since 2012.

As it is our first full-length release we really took the time and put in effort like we had never done before. It was also a first time we worked together with a producer. It was a very big learning experience and in the wind of that we are already working on the next release.

Our sound has become more electronic and we have learned how to “melt” the different sounds together. With Patience our aim was to leave no stones unturned and try to create the best possible sounding album we could. Through trial and error we learned a lot and now while creating new songs I feel we can improvise and experiment even more.

What’s the indie scene like in Estonia?

It is very strong and getting stronger by the year. The last two decades have been great for the indie scene. The shift has been from singing in Estonian to more and more artists turning to English and a more polished and mainstream sound influenced by Brit pop and shoe gaze. You should definitely check out Vaiko Eplik, The Boondocks, Röövel Ööbik, Junk Riot, Levski and Ans. Andur. The recent years have seen a revival in the influences of funk and electro.

I Wear* Experiment performing the title track from their 2016 album Patience for the Eesti Laul song contest.

What was it like performing at Zandari Festa 2016?

It was very cool! We could feel the vibe of Seoul in the festival, which made it special. The first show we played at Zandari was at club Steel Face at noon. We had never played a show this early and we were a bit worried, but the place was packed and people reacted to our music, which is always great. The second show in club Veloso was in the same spirit, people reacted straight away and we had a good energy exchange with the crowd.

Are you excited to be heading back to Korea?

We are very super excited. We all, including the sometimes grumpy technicians, fell in love with the city, the people, the food and soju. When leaving the hotel after the last night of the festival, several of us had tears of sadness for having to leave combined with tears of happiness of how overwhelmingly great time we had had.

What can audiences expect at your upcoming shows?

We always give as much energy and emotion from the stage as possible. We have our excellent crew with us who are the best in Estonia, so we are bringing our full production.

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I Wear* Experiment play Club Freebird in Seoul on Friday, Jan. 6, and will be supported by Silica Gel, Asian Chairshot and DTSQ. They also play Vinyl Underground in Busan on Saturday, Jan. 7, with support from Leaves Black, 3 Volt and 57. You can pick up advance tickets here for the Seoul show here  and the Busan show here.

Korean Reggae Rises Again – This Saturday

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Rise Again 4 — a great night of Korean reggae, ska and dance hall — is here this Saturday (Dec. 17). Now in its fourth year, this annual festival looks stronger than ever, with some new faces and  familiar acts joining together for a great lineup.

Club Freebird in Hongdae hosts Rise Again, with a lineup that includes Kim Ban Jang & Windy City, Kingston Rudieska, Rude Paper, NST & the Soul Sauce, Orixa, Cool Running, Tehiun, and Oriental Showcus. They will be joined by dancers Ms. Friday, Saas, & Z. Sun. Also, great music will be provided by deejays/selectas In the Earth, Eastern Standard Sounds and East Jamrock — plus, all the way from Japan, Hayassen of Totalize.

Doors open at 7pm. Tickets cost 25,000 won ahead of time or 30,000 at the door.

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Celebrating the Life of a Music Legend

If you haven’t had the chance to check it out yet, today (October 14) is the final day of the “Legacy of Reggae History ‘Rico Rodriguez’ Photo Exhibition” in Seoul. The exhibition features images by Koichi Hanfusa, an extremely talented music journalist, all-around awesome guy, and a person whose friendship has had a huge impact on my life. To say that my life would be very, very different had I never met Koichi is a major understatement.

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Koichi and Rico (Photo by Koichi Hanafusa/SmashingMag.com)

Koichi lives in Tokyo but is in Seoul this week to share his photos of the legendary Rodriguez at Gold Star in Hongdae. His first exhibition happened at the end of last year in Tokyo, and this year has seen him take it to several places throughout Japan. His Korean exhibition started on Wednesday – and the opening party featured performances from Kingston Rudieska and NST &The Soul Sauce – and runs today from 5 pm until midnight. The exhibition is free to attend, so do your best to stop by, see some great images, learn about a fantastic musician, and chat with an acclaimed journalist while you’re out in Hongdae tonight.

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A pioneering trombonist, Rodriguez passed away last year at the age of 80. During his storied career, he played trombone for a number of musical greats including The Specials and released music on his own as well. In 2007, he was appointed MBE (Member of the Order of the British Empire) for his services to the British music industry. And in 2012, he was awarded the Silver Musgrave Medal in recognition of his many contributions to Jamaican music.

Koichi answered some questions for us about his relationship with Rodriguez and his photo exhibition at Gold Star.

How did the idea for your Rico Rodriguez photo exhibition come about?

I visited Rico on June 22 last year and asked him to come to Japan for a tribute show for him. I knew he might not be capable of playing trombone at that stage, but I wanted to do something to thank him for his influence on the ska scene in Japan. If there was a chance, I wanted to do a photo exhibition of Rico along with it. When I got back to Japan, I spoke with a promoter who has been organizing Rico’s Japan tours for a long time about the idea. He said he was thinking the same thing and had already booked a venue for the end of the year. About two months after that, I heard the sad news of Rico passing away. I didn’t want to do anything but mourn for 49 days, which is a very Japanese thing to do. While I was in mourning, I started thinking of starting my personal tribute to this amazing talent of Jamaican music by organizing a photo exhibition mainly featuring the photos I shot for his “Wonderful World” album and some shots I had taken during his tours in Japan. It was like a promise I made with Rico and I was talking to him.

When were the photos in your exhibition taken?

I’m not a photographer. I’m a music photo journalist who takes photos needed to make articles with. I’ve been taking photos for a long time at gigs, but up until the time of Rico’s “Wonderful World” album, I had never done a studio session.

I had heard that Rico was recording an album for himself and I had a meeting with him in London and suggested he record a vocal track of “Wonderful World” along with some covers like “Over the Rainbow,” “Stardust Melody,” and “Work Song.” I was not expecting him to do them all, but he did. Later, I interviewed him while he was making the album. I asked him if he recorded those tracks and he replied yes. But at that stage he hadn’t add vocals to “Wonderful World” so I begged him to do so.

When I heard the completed recording, it made me happy to discover he recorded his vocals on that track and I heard he really enjoyed doing it from one of the guys involved in the project. Then I had the idea for the album’s photos. I imagined him smiling in a formal suit with a trombone. Japan was going to be the first place to release the album, so I approached the record label and asked them to let me take the photos. Luckily they said yes, and I was set to shoot my first ever proper studio session. This was in 1995, I think. Rico didn’t like smiling portraits and there had never been any shots of him smiling if you check his promo images or album covers. But I wanted Rico’s smile, and I did the best I could during the session to get lovely smiles from him. Afterwards, he said “You made me happy and I love it.”

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The session took a place in London. I rented the studio from 1 pm – 6 pm, but Rico was really late arriving as he had a problem. The actual session started around 4 or 5 pm. The shooting was done in almost an hour and I got 800 pictures from it.

When did you first meet Rico? What are some of the qualities you loved best about him as a person?

I first spoke to him in 1991 at a Bad Manners show in Japan. He was a member of the horn section. The supporting act for the show was The Ska Flames. He was standing at the side of the stage listening to the band and was smiling and saying, “Closing my eyes, I hear the Skatalites.” I asked him if he wanted to play with the band and he said yes. But the guys were already playing and there was no way to communicate with them. I was trying to send a message with hand gestures and while doing that, Rico started wailing away and then made a surprise guest appearance and a great jam session was born.

He was a teacher to younger musicians. When a band played with him, everyone in the group learned how to play. He didn’t just show them what to do through rehearsals. He taught them that you have to respond with your musical instrument and improvise. Musicianship was the most important thing to him. Not only to play good, but to play good with spirit.

What made you want to bring your exhibition to Seoul?

It was nice to find out about NST &The Soul Sauce and how they made a tribute to Rico and his music. We didn’t talk a lot, but by sharing a love for Rico through music, we had no problem communicating. I just gave them an idea – if you love Rico, why not bring my photos to Seoul and celebrate his life with my photos and your music? I always want to share some time with those loving his music and I feel like this is my mission to talk about Rico and let people know about his music. His music can add something to your life if you really listen to it.

Aside from seeing the photos at Gold Star, will you have stories to share during the exhibition with everyone who visits about the pictures, your friendship with Rico, and his music?

Yes, definitely. I’m ready to share all of the stories of me and Rico and tell about the “Wonderful World” album. After that album was released, Rico told me “You are my producer. That album was a turning point of my career.” After that recording, whenever he played, his vocals on that song became the highlight of the show. But to get back to the question, I am ready to give all I have. If you know the things behind the music, the music sounds even better and takes on much greater meaning.

Once again I urge everyone to take this opportunity to go out and meet Koichi. He’s a fascinating person to speak with. If you love music, having a drink together while talking about music and learning about Rodriguez will be a definite high point of your night.

“Legacy of Reggae History ‘Rico Rodriguez’ Photo Exhibition” finishes today at Gold Star in Hongdae. The event runs from 5 pm until 12 am (midnight) and is free. For more information, check out the Facebook event page here.

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Guten Birds, Welcome to their Planet!

“Things what may happen on your planet” is the first full-length offering from enigmatic Seoul trio Guten Birds and is sure to delight new and old fans alike. Each track on the record is tight with driving rhythms, complex layers of guitars, and just the right blend of Mohho’s hauntingly moving vocals. Seo Hyeon drives the bass lines as Mui, one of my top five drummers on the planet, merges a kit into the music like no other. Guten Birds are often described as melodic grunge, and as a child of the grunge era, I can certainly understand the reference. However, with this record, Guten Birds have defined their unique sound on an entirely new level.

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The building instrumentals in opener “어디선가 어딘가에서” seduce your ears while simultaneously creating a drive that follows in many ways throughout the album. The vocals come home in the next song, “가나다 별곡,” as the pace quickens. This track, along with “밤신호,” seem to show a new direction for the band, and it is done so well that it is hard to believe this is actually their first full release. Having only had the album for about a week, my Korean isn’t strong enough to truly understand everything on these cuts, but Mohho’s voice still carries that power and urgency I’m so familiar with and both tracks inspire me as a painting I don’t need to understand does.

The first half of the album contains three instrumental songs, while the second half begins with an eight-and-a-half minute English track which may remind listeners of things we’ve left behind, for better or worse. The music on this song, “Sailing Out,” approaches the psychadelic, though to me, it’s without a specific genre as it builds from a soft haunting din into an aggressive yet rhythmic rock offering. The vocals continue to play a major role throughout the album’s back half, most notably on “킬빌 혹은 우울한 달,” a darker song featuring little more than light guitars and melancholy voicing. I’m hard pressed to choose a favorite amongst the 10 gems presented, but this track along with “Rolling in the Air” will certainly forever remain on my short list. But all 10 are perfect. Trust me.

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The recording was done at Tomato Studio and they have done some amazing work on this album as every aspect of each song comes shining through in impeccable sound. Find a good seat, some great headphones and immerse yourself in “Things what may happen on your planet” as you would in a gallery or poetry reading while the songs carry you on a journey of happiness, sadness, love, loss, emptiness and more.

Pick up your copy of one of the best records of the year at the special release showcase Friday October 14th at Works Hall in Hongdae. A must-have album and a must-see show. Friday’s release gig starts at 8 pm and tickets are 25,000 won at the door.  For more information, check out the Facebook event page here.

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Rock from around the world heads to Daegu!

Adam Sullivan and the Trees from the US along with Hays from Russia have been performing around Korea for the past week and are bringing their powerful music to Club Heavy in Daegu tonight as part of the RoK Around the World 2016 series hosted by RoK Gi Yeon Promotions.

Adam Sullivan has returned to Korea bringing with him his unique songwriting style mixed with emotional and often humorous lyrics. Filled with keys, guitar, ukulele, and even some a cappella singing, each set is a warm, heartfelt experience for all in attendance. Tonight’s show in Daegu will be Adam Sullivan and the Trees’ first time to the city.

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My favorite song to watch out for? “Cool Kids”, with its thought-provoking chorus, “I just want to love you forever… You’re so selfish, and cool.”

Adam Sullivan and the Trees will be opening the show tonight promptly at 8 pm.

Following Adam will be the always amazing Blue Turtle Land out of Seoul. From the moment frontman Hong hits that first key, you’ll be blown away and taken back to the time of hippies, free love, and spine-tingling rock ‘n’ roll. Enjoy their takes on Hendrix and plenty of originals and jams throughout their set.

First timers to Daegu, as well as Korea, are the Russian band Hays out of Vladivostok.

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They have been wowing Korean audiences since their debut show at Club Sharp in Seoul last Friday. With influences stemming from the golden days of grunge, the guys have incredible passion on stage and bring a powerful energy that every crowd has latched onto immediately. After putting on an amazing show Tuesday in Jeonju, the crowd rushed for CDs, autographs and photos of one of their new favorite bands. Expect people tonight to jump and scream during “Breathe” and sing along to the beautifully crafted ballad “Same Way to You.” The band has truly enjoyed their tour, seeing Korea, eating everything, rocking hard and partying and are stoked for their one-night-only gig in Daegu before heading down to Busan!

The closing act for tonight will be Hongdae locals Project: Impair. A relatively new hard-rocking duo that features members Jun (of WhoWho) and Eun-Ho (who has been playing with Space Papa and Igloo Bay). Their energy on stage is raw and powerful and Jun’s speedy, aggressive guitar playing matches well with Eun-Ho’s fast-paced drumming. Look forward to being blown away by the sound coming from these two as you add a new Korean favorite to your list!

It all happens tonight (October 6) at Club Heavy from 8 pm until late and tickets are only 10,000 won. Don’t miss out on any of these acts who so rarely, if ever, have found their way to Daegu. For more information, check out the Facebook event page here.

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The Dizzy Brains and Ko Ko Mo live in HBC!

Anyone paying attention to the buzz at Zandari Festa this past weekend should already know the names The Dizzy Brains and Ko Ko Mo. And luckily for music lovers in Seoul, there’s one more chance to see them before they leave Korea as the bands are teaming up for a bill at Thunderhorse Tavern tonight (October 5).

Musicians and fest-goers alike have been talking nonstop about both acts since their first Zandari performances. And trust me, the praise is well warranted. Hailing from Madagascar, The Dizzy Brains lit the stage on fire during each of their three sets at the festival. France’s Ko Ko Mo were equally entertaining, giving the roaring crowd a bit of retro flair mixed with raw talent and seemingly limitless energy.

I caught up with  Ko Ko Mo to chat about what their Korean tour has been like thus far, and why everyone should head to the Itaewon area to see them tonight. When asked about the highlight of their Korean tour so far, guitarist and vocalist Warren Mutton said, “As of right now, it has been the French Spirit Night because the crowd was really happy  and crazy as well!”

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The passion that Mutton brings to the stage as well as his far-reaching vocals definitely left the crowd in awe during Ko Ko Mo’s Zandari gigs. And the special French showcase was a brilliant example of what they feed into each performance. Because of their impressive stage presence, I wondered how the duo felt about the reactions of Zandari audiences.

“We hope our music helped bring everyone together and made them feel united,” says drummer K20. “We also hoped they felt the energy and the rock ‘n’ roll vibe we were trying to give them.”

Finally, I wanted to know what new fans should expect from Ko Ko Mo in general as well as what everyone should look forward to at Thunderhorse tonight.

“Fans should know that we are so happy to be here in Korea, and that we love these awesome audiences,” said Mutton. “And in addition to coming to see us tonight, they should check out our first album when it is released in February!”

Ko Ko Mo and The Dizzy Brains play tonight at Thunderhorse Tavern.  The show starts at 8 pm and 57 is the opener.  Tickets are only 10,000 won.  Below are the set times for the concert, and for more information please check out the Facebook event page here.

8:00 pm 57
8:45 pm Ko Ko Mo
9:45 pm The Dizzy Brains

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Zandari Festa 2016 – Five Questions with Ooberfuse

The fifth annual Zandari Festa is taking place in Hongdae from September 30 –
October 3. To spotlight some of the event’s performers, Korea Gig Guide is asking a bunch of acts five simple questions.

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For this installment, we’re talking with Cherrie Anderson, vocalist and Hal St John, vocalist, synth player and guitarist for electro-pop band Ooberfuse from the UK. Ooberfuse will play at Zandari Festa on Sunday, October 3 at 7pm at Club Ta. Now let’s get to their answers!

1) Why are you excited to be performing at Zandari Festa 2016?

Hal: There is an energy in emerging music that refreshes in ways more traditional genres fail to do. We are so excited to be performing at Zandari Festa and hope to give the audience an amazing unrepeatable musical experience and also to be uplifted and inspired by the other acts performing. When like-minded people from multiple cultural backgrounds assemble together united by a common love of music magical things can happen.

2) What can people expect from an Ooberfuse live show?

Hal: Some reviewers have observed how layered synthetic sounds come to life when we bring these into interaction with emotionally charged vocals. We hope to touch our audiences with accessible contemporary sounds incorporated into well-crafted pop tunes.

3) For fest-goers not familiar with Ooberfuse yet, what should they know about you?

Hal: We take the very best from contemporary Western pop music and infuse it with Eastern exuberance. Our music has emerged from the cultural melting pot that is the hallmark of a cosmopolitan city like London. We take the very best of British songwriting and fuse this with oriental flavours.

4) Aside from performing, what else would you like to do during Zandari Festa 2016?

Cherrie: This will be our first time in Korea so we are very excited to experience Korean culture and music. We will be checking out Korean bands and musicians, and hopefully meet like-minded people and make new friends.

5) If you can go drinking with another Zandari Festa act, who do you want it to be?

Hal: Dead Buttons, Love X Stereo, Paranoid City – to name a few!

Zandari Festa 2016 – Five Questions with I Set the Sea on Fire

The fifth annual Zandari Festa is taking place in Hongdae from September 30 –
October 3. To spotlight some of the event’s performers, Korea Gig Guide is asking a bunch of acts five simple questions.

For this installment, we’re talking with Pete Jenkins, the bassist for I Set the Sea on Fire from the UK. I Set the Sea on Fire will play at Zandari Festa on Sunday, October 2 at 8 pm at SangSang Madang. Now let’s get to his answers!

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1) Why are you excited to be performing at Zandari Festa 2016?

We’re so excited to be a part of the festival, it’s such an incredible opportunity for any band and an amazing platform for smaller bands to be discovered by a completely new audience it would be really hard to reach without Sound City or Zandari Festa. We’re looking forward to representing the UK’s wide music scene in such a wonderful city that we can’t wait to explore and we can only hope the festival will open doors to more exciting opportunities whether these are in South Korea or not.

2) What can people expect from a I Set the Sea on Fire live show?

We somehow manage to mix trumpet, trombone and flute with four-part harmony on stage. So you can expect a massive, energetic live sound!

3) For fest-goers not familiar with I Set the Sea on Fire yet, what should they know about you?

We’ve been going for about seven years, changing lineups for the whole of this time. We’ve just recorded our debut album, “Sleep Now Suburbia,” with a Sheffield-based producer, and are releasing the B-sides to this just after our trip to South Korea. We’re looking forward to debuting this in Seoul!

4) Aside from performing, what else would you like to do during Zandari Festa 2016?

Meeting people who work in the international music scene, other bands, and music lovers from around the world. You’ll find us most days watching new bands around the festival and finding our next favourite artist. Obviously the inevitable beer and our favourite game of table football and pool will have to fit in somewhere though.

5) If you can go drinking with another Zandari Festa act, who do you want it to be?

We’re really looking forward to meeting the other UK acts who are flying over there, as well as finding the local music of Seoul! If we could drink one with one act we know, it would be She Drew The Gun, as we follow a lot of their music!

Zandari Festa 2016 – Five Questions with Cosovel

The fifth annual Zandari Festa is taking place in Hongdae from September 30 –
October 3. To spotlight some of the event’s performers, Korea Gig Guide is asking a bunch of acts five simple questions.

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For this installment, we’re talking with Izabela Wroblewska, the vocalist for alt-pop act Cosovel from Poland. Cosovel will play at Zandari Festa on Monday, October 3 at 8 pm at Freebird. Now let’s get to her answers!

1) Why are you excited to be performing at Zandari Festa 2016?

For me, Zandari is literally food for thought. It’s a musical paradise with a dozen clubs within arm’s reach. It’s a chance to get a new perspective, experience moments of musical ecstasy, and face the challenges. Overcoming the challenges gives you some of the greatest joys of all.

2) What can people expect from a Cosovel live show?

A combination of a music and dance performance on the verge of diverse feelings: joy, sentiment and nostalgia, with a strong pulse of beat. I’m a melody and harmony lover, but lately I’ve gotten into dirty, underground techno. It will be definitely visible in our performance, rhythmically and sonically.

3) For fest-goers not familiar with Cosovel yet, what should they know about you?

I’m an emotional addict. I love seeing people dancing and singing with me during concerts. I fulfill myself working with music in its all aspects, from creating, recording, producing, performing and making video clips. I enjoy touring a lot. It gives me the greatest thrill when the day is already dawning and I glide along the road into the brand new. I like the feeling of the unknown. I value devotion and criticism in art. And I really can’t wait to see you in Seoul.

4) Aside from performing, what else would you like to do during Zandari Festa 2016?

To tell the truth, I’d like to grab as much as I can during that short glimpse of time. My goal is to experience Seoul’s momentous heritage treasures and rollercoaster nightlife at the same time. I’d like to soak into the city, hang out with locals, listen to the pulse of the streets during rush hour, dazzle myself with the glow of motley streets, visit old markets, breathe the same air as Nam June Paik, taste soju for the first time, experience Sajik Daeje, meet Xooang Choi by accident – I could make a list of my wishes at least 10 times longer.

5) If you can go drinking with another Zandari Festa act, who do you want it to be?

It’s hard to answer that question without being a part of the concert and feeling the real energy of the performing artist. I’d love to experience some great live shows with pure power, which is something I really miss after the electronic music revolution. I see a lot of enthusiasm in the Green Flame Boys, I don’t remember the last time I had an evening with a punk band.